Charles Isherwood

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What’s the last word I thought I’d ever use to describe a show directed by Harold Prince? Bland. And yet, sadly, that’s the overall effect of “Prince of Broadway,” a...
Michael Moore’s solo show, “The Terms of My Surrender,” comes as close to being a campaign rally as anything you are likely to see on Broadway – or anywhere...
Calamity comes in Costco-style jumbo packages for the fractured family in “Marvin’s Room,” Scott McPherson’s play about the beleaguering trials and little triumphs collectively known as life. Trials, I’m...
Summer entertainment options do not get more counterintuitive than the Broadway adaptation of George Orwell’s “1984” that opened at the Hudson Theatre on Thursday, just as beach season swings...
The frenetic Broadway spring comes to a thrilling conclusion with the lightning-bolt opening of Lucas Hnath’s “A Doll’s House, Part 2,” a new play so endlessly stimulating that it...
The boys singing and swinging their hearts out in “Bandstand,” an exuberant new musical set in the days just after World War II, are chasing an uncertain future and...
Is it me, or have the follies of rich New Yorkers become less delightfully entertaining than they once were? To wit: Some of the savor has left the champagne...
A lot of merchandise is for sale in the lobby of the Shubert Theatre, where Bette Midler stars in the highly anticipated, or, really, let’s make that breathlessly awaited...
It doesn’t take a refined intellect to separate the bad characters from the good in Lillian Hellman’s “The Little Foxes.” The bad tend to be scheming, grasping and spiteful,...
The producers and creators of “Groundhog Day” must be uncomfortably aware by now that, despite the fantasy at the center of their show, every day really is a new...

Setting the stage.

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